00:00:04
NARRATOR
In October of 2011, 4 college students disappeared in the woods near Porter Township Pennsylvania while researching a documentary on children’s author Jakob Stanley. They remain missing to this day. Last month, their recordings appeared online.
00:00:20
NARRATOR
In an effort to aid in the investigation, the families of those missing have agreed to release the following sound files. If anyone has information on those missing or the identity of the person or persons who uploaded these files, please use the contact information provided. Anything submitted may be used in future episodes. Certain materials referenced in this podcast, including the published works of Jakob Stanley, are currently protected under U.S. copyright law and may be redacted. For legal reasons, some names have been withheld and voices altered. The views and opinions expressed in this podcast are solely those of the podcasters and participants, and do not represent the official policy or position of the Iphigenia County Police Department of Porter Township Pennsylvania or its associates. This podcast contains adult themes and language. Listener discretion is advised.
00:01:12
PROFESSOR WHITAKER
File labeled: “004 Rough Cut, Episode 4 - Tell Me a Story: The True Life of Jakob Stanley.”
SFX: The mic pops on. It is being manhandled as levels are adjusted.
SFX: An ear-piercing phone ring screams out from a landline.
00:01:34
CHUCK
(off mic)
The ear plugs, they do nothing!
TOLEN
Check, check.
AVERY
(off mic)
Are you actually messing with the H4N right now!
TOLEN
I just wanna make sure-
SFX: Another ear-piercing phone ring screams out from the room’s landline.
AVERY
(off mic)
ANSWER THE DAMN PHONE!
TOLEN
I’m gonna, just give me-
SFX: Another ear-piercing phone ring screams out from the room’s landline. RJ answers the phone.
RJ
(off mic)
Hello.
TOLEN
Wait, wait, wait, here.
RJ
Hello? ... There’s no one there. Hello?
SFX: Avery grabs the phone from RJ.
AVERY
WHO THE HELL IS THIS?
CHUCK
(off mic)
DO THEY KNOW WHAT TIME IT IS!
AVERY
DO YOU KNOW WHAT TIME IT IS?! ... WHY DO YOU KEEP CALLING? ... HELLO?
CHUCK
(off mic)
I'm never gonna get back to sleep now.
AVERY
We should just keep it off the hook.
SFX: From the phone line we hear the faintest of possible whimpers.
AVERY (CONT’D)
Hello?
TOLEN
Who is it?
AVERY
Shhhhhhh! ... Hello? .... If someone’s there, hit one of the buttons. ... Hello? ... Hello? ... They hung up.
SFX: Avery hangs up the receiver.
TOLEN
Who do you think it was?
00:02:23
AVERY
Uhm, I don’t know.
TOLEN
Maybe we should-
SFX: BOOM! Suddenly, the Homestead’s main entrance massive double doors slam open downstairs. A shuffling wave of heavy boots rolls into the downstairs.
CHUCK
What the hell?
SFX: Tables and chairs start being moved around the downstairs, faint voices are barking orders.
SFX: RJ crosses to the window and looks below.
RJ
The entire parking lot’s filling up.
TOLEN
‘Wonder what’s going on?
SFX: Sirens cry out in the distance and continue through the end of the scene.
SFX: Avery starts getting dressed.
AVERY
All right.
CHUCK
What are you doing?
AVERY
I’m gonna go down there.
SFX: RJ starts getting dressed as well.
RJ
I’ll go with you.
SFX: Tolen starts getting dressed as well.
TOLEN
We’ll all go.
CHUCK
Uggggghhhhhhhh.
SFX: The sirens get closer.
00:02:54
[PODCAST INTRO SEQUENCE]
NEWS ANNOUNCER
WN [BEEP REDACTED] TV New York.
MUSIC: [80’s NEWS INTRO THEME]
NEWS ANCHOR ‘83
If your child has been to a school book fair recently, chances are they came home with one of this author’s scary books-
MUSIC: [80’s SUNDAY TALK SHOW THEME]
SUNDAY MORNING TALK SHOW HOST ‘81
Our guest’s first anthology leapt to the top of the New York Times Best Sellers list -
MUSIC: [LATE NIGHT TALK SHOW INTRO APPLAUSE]
LATE NIGHT TALK SHOW HOST ‘86
- Thank you. Thank you! Over the past few years, he has become a household name -
MUSIC: [PODCAST THEME]
PUBLIC RADIO HOST ‘92
- Bridging the gap between Alvin Schwartz and Stephen King -
TV PREACHER
- The devil is among us, friends.
CONGREGATION
AMEN!
TV PREACHER
He’s among us, in the form of a writer. -
SUNDAY MORNING TALK SHOW HOST ‘81
- The book might have struggled during it initial release in 1977, but now “Tell Me A Story: Under the Bed That’s Over My Head”, has skyrocketed -
ALSC COMMITTEE REP
- So many parent organizations complained that his work was too sophisticated for children-
TV PREACHER
- He has infiltrated your homes, and your children’s minds-
PUBLIC RADIO HOST ‘92
- His second macabre anthology “Tell Me A Story: Moonless Sky and Other Friends” sold out from bookstores in mere minutes. Becoming a controversial -
NEWS ANCHOR ‘83
- Stanley's books ranked on the American Library Association’s “100 Most Frequently Challenged Books” from 1981-1993 -
TV PREACHER
- Stanley’s books promote disobedience, violence and the occult! Lord have mercy -
PUBLIC RADIO HOST ‘92
- The 3rd volume in his “Tell Me A Story” collection “The Floor That Creaks, the Closet That Speaks and the Tip Toes That You Walk On” was released in 1986 to mass acclaim -
ALSC COMMITTEE REP
- All that fussing, just made his work more popular -
TV PREACHER
- Check your children’s rooms, check their bookshelves, check their back-packs! -
YOUTUBER
- I do think his final book, released in ‘99, “TMAS: The nightmare, The Dream and the Places Between,” was by far his best work.-
PUBLIC RADIO HOST ‘92
- His work has been described as “subversive” and “dark,” I simply describe it as genius.
SUNDAY MORNING TALK SHOW HOST ‘81
- It is my pleasure to introduce -
LATE NIGHT TALK SHOW HOST ‘86
- Please welcome -
PUBLIC RADIO HOST ‘92
- Ladies and gentleman, please welcome -
SUNDAY MORNING TALK SHOW HOST ‘81
- Jakob Stanley.-
LATE NIGHT TALK SHOW HOST ‘86
- Mister Jakob Stanley.
PUBLIC RADIO HOST ‘92
- Author, Jakob Stanley.
[Applause.]
MUSIC: [POD THEME SYNTH]
00:04:35
AVERY/NARRATOR
Little to nothing is known about the life of this elusive author. And since 1999 Jakob Stanley seems to have completely dropped off the face of the earth. Until a short two-line obituary appeared in a small town paper, over a year ago.
TOLEN/NARRATOR
From BOO Labs and Red Cup Media, I'm Tolen Reid -
AVERY/NARRATOR
And I'm Avery Fischer, this is TELL ME A STORY: THE TRUE LIFE OF JAKOB STANLEY.
SFX: The mic clicks on.
SFX: The entire downstairs is bursting with people. It feels loud and chaotic, but people are barely talking and when they do, it is in hushed tones.
00:05:14
TOLEN
(narrates the scene)
Uh, well it looks like people are setting up some kind of emergency command post? Uhm. We’re not sure exactly what’s going on.
DEBBIE
Coming through!
TOLEN
We’re trying to stay out of their way, but as you can tell it’s a little difficult. Uh... uhm.
RJ
They set up an area with food and coffee, there are probably like 15-20 people in here, 20 more outside, a handful of cops, volunteer fire department members, 4 of which are women, so hell yeah.
CHUCK
Some extras from "Night of the Living Dead."
AVERY
Shhh.
RJ
The owner of the Homestead, Deb, is running this set up like she could do it in her sleep. Everyone is behaving like they could do this in their sleep, no one has to talk, they just... move.
TOLEN
It’s a little terrifying that they’re that good at this...
SFX: Avery approaches Debbie.
TOLEN (CONT’D)
Avery?!
AVERY
What do you need help with?
DEBBIE
Uh... Fill up those with coffee, and put them by the front door.
AVERY
On it.
DEBBIE
Hey. Are they gonna help too, or just hold up my wall? Cause I got nails for that.
RJ
What can I do?
DEBBIE
Grab the cases of water from the back and stack them by the door. You two-
TOLEN
Uh-
DEBBIE
Grab the MRE boxes next to the water, and stack them by the door.
TOLEN & CHUCK
Yes, ma’am.
SFX: Their mics cut off abruptly.
SFX: The sound of a recorder clicks on.
SFX: The loud chaos of the emergency command center is only slightly muffled by the bathroom door.
00:06:25
AVERY
Uhm. Uh... okay. Quick update: It’s all a bit wild here right now, Uh... evidently late last night a forest fire started in the woods near the Mendenhall Institute and it’s doubled in size since this morning... You can see the smoke for miles.
DEBBIE
(through bathroom door)
Jesus Christ!
SFX: A toilet flushes.
AVERY
Sorry the sound quality sucks, I just ducked into the bathroom quick.
DEBBIE
(through bathroom door)
Doc, move it!
AVERY
RJ and I stayed to help out at the Homestead, and Tolen and Chuck drove supplies to the firefighter mobile operation center -
DEBBIE
(through bathroom door)
MORE COMING IN!
AVERY
Uh, alright, break time is over. [heavy exhale]
SFX: Her mic cuts off.
SFX: The sound of a recorder clicks on.
SFX: From the interior of Tolen’s car we hear the madness of the firefighters camp in the distance. Tolen is switching on the mic.
00:07:06
TOLEN
Check. Check... I couldn’t find out anything. Check. Check.
CHUCK
Overheard someone say that the last fire this bad in Porter happened about 50 years ago. Some silo caught fire or was set on fire, something.
TOLEN
Huh.
CHUCK
But nothing about what’s going on now.
TOLEN
I don’t understand how a forest fire starts after it’s been raining. It doesn’t make any sense - Hey, is that Wallace?
CHUCK
Where? ... Oh yeah. Hi. ... Maybe he can tell us what’s going on.
SFX: Wallace approaches the car and knocks on the hood.
WALLACE
(from outside car)
Permission to come aboard?
CHUCK
(through the windshield to Wallace)
Come on in, man!
TOLEN
It’s so weird to see you being nice to someone.
CHUCK
Shut up.
SFX: Wallace gets into the back seat of the car and closes the door behind him.
00:07:41
CHUCK (CONT’D)
Hey Wallace, how you doing?
WALLACE
Better than that lot over there. So, how in the hell y’all get pulled into this mess?
TOLEN
Well, we’re at the Homestead.
WALLACE
Right, right... Hotbed Homestead, Headquarters for all emergencies both foreign and domestic. Hope y’all got sleep last night, cuz that place gonna be madness til this clears up.
CHUCK
Shit, really?
WALLACE
Shit yes.
TOLEN
So, what’s going on? A fire just started in the middle of the woods?
WALLACE
That’s the basic gist - they don’t know how it started yet - but what’s got everybody in such a tizzy, are the old coal mines.
TOLEN
There were coal mines here?
WALLACE
Yeah, yeah. A mess of abandoned ones. But the thing is, they’re not exactly sure where all of them are. They just keep getting found all over the place.
TOLEN
So, wait. Like... they’re worried a forest fire hit an abandoned coal mine and that’s why it's so big or did a coal mine just catch fire on its own?
CHUCK
Can that even happen?
TOLEN
Damn, I miss having the ability to look things up on my phone.
WALLACE
They just don’t want another Centralia.
TOLEN
See, if I could search that I would know what you were talking about.
WALLACE
Centralia, PA’s abandoned coal mines caught fire in 1962, and been burning ever since.
CHUCK
Shit, seriously?
WALLACE
Town’s uninhabitable, just left to burn.
CHUCK
Damn.
00:08:54
WALLACE
But either way, this might be a mine, might not be a mine, but this much fire... just sprouting up - after a rain - don’t make much sense any which-a-way.
SFX: The loud ticking of a massive grandfather clock welcomes us back to the Homestead. The clock strikes 12. The room feels empty and still except for a few pops coming from a fire in the fireplace.
SFX: A loud chair slides across the wooden floor, it is being pulled up to a table in the corner by Homestead owner, Deb. She falls into it, exhausted.
RJ
(whispering)
We should just go over there?
AVERY
(whispering)
See if she’ll talk to us? Yeah.
RJ
(whispering)
Yeah.
AVERY
(whispering)
Yeah.
DEBBIE
Mind if I smoke?
RJ
Uh-
AVERY
No, we don’t mind.
RJ
Actually...
SFX: Debbie pulls out a baggie of weed and dusts off a rolled joint.
RJ (CONT’D)
Oh.
AVERY
(under her breath)
Did not see that coming.
RJ
Oh yeah, no worries.
DEBBIE
Come on over, take a load off.
AVERY
Uh, yes. Thanks.
SFX: Avery and RJ walk over to Debbie and take a seat, as Deb lights the joint and takes a hit.
00:09:40
DEBBIE
(as she exhales)
Bet you wished ya left yesterday?
AVERY
A little.
RJ
But, we’re glad that we could help out.
DEBBIE
What you doing here anyway? Jane said something about a documentary? Here.
SFX: Deb passes the joint to RJ.
RJ
Oh, thank you.
AVERY
We’re doing a podcast-
DEBBIE
A what?
RJ
A podcast, it’s like a... radio show?
DEBBIE
Huh, learn something new everyday. Here.
SFX: RJ takes a hit and passes it to Avery.
AVERY
And, thank you.
SFX: Avery takes a hit.
DEBBIE
What’s your names again?
AVERY
(as she exhales)
I’m Avery and this is RJ.
SFX: RJ finally exhales and begins to cough. Debbie laughs lightly.
RJ
Whoo, that’s no joke.
DEBBIE
Grow it for Miss Loretta.
RJ
Miss Loretta?
DEBBIE
My mom, she’s got glaucoma.
RJ
Oh, I’m sorry about that.
DEBBIE
Don’t be, she’s not. Gives that woman an excuse to be high as a kite all day.
SFX: The front desk clerk shuffles into the room.
DOC GRUB
Knock, knock. Yins’ girls, need anything? Going to the store awhile.
DEBBIE
No Doc, go on.
DOC GRUB
Yins’, suuurrreee?
DEBBIE
Doc, I said no.
DOC GRUB
All right, don’t says I didn’t ask.
DEBBIE
Thanks, Doc.
DOC GRUB
Buh-bye-bye, now.
SFX: Doc Grub slowly slinks away.
00:10:45
RJ
He’s a doctor?
DEBBIE
No.
AVERY
Oh-kay.
DEBBIE
So, a documentary... on Russell?
AVERY
Well, he wrote under the name Jakob Stanley. Did the “Tell Me a Story” book series.
RJ
You didn’t know him by any chance?
DEBBIE
Not really... but Russell went to elementary school with my brother, though.
AVERY
Really?
RJ
We were told he was homeschooled?
DEBBIE
That was high school, after he got kicked outta Amherst.
AVERY
Wait, Stanley went to Amherst!?
DEBBIE
To keep the peace they used to occasionally give scholarships to locals.
RJ
But, he got kicked out?
DEBBIE
Yeah, was bullied by some rich kid and shit happened. At least that’s what I heard.
AVERY
Did your brother go to Amherst?
DEBBIE
Oh no, that boy’s dumb as hell.
[The women laugh.]
AVERY
Did you know the family at all?
DEBBIE
Not really... But you could talk to David Rockland? Family has a dairy farm off Willoughby, they’ve been here for ages.
SFX: Doc Grub shuffles into the room.
DOC GRUB
Knock, knock.
DEBBIE
That was fast?
DOC GRUB
Thought yins’ ladies would like to know... the fire seems to be under control.
At least what’s they can see above ground.
AVERY
Above ground?
DEBBIE
Rita hear it on the scanner?
DOC GRUB
Yes, ma’am, she had it going in the store full blast.
DEBBIE
Well, that’s a bit of good news. So, no coal mine?
RJ
Coal mine?
SFX: The Homestead’s main desk phone begins to ring.
DOC GRUB
Not sure, but the scare was enough to get the state involved. Probably be another survey. Still on a little “alert.”
DEBBIE
Thanks, Doc.
SFX: Doc Grub slowly slinks away to answer the phone.
DOC GRUB
Buh-bye-bye, now.
RJ
So... “coal mine”?
SFX: From the interior of Tolen’s car we hear the madness of the firefighters camp in the distance.
00:12:31
CHUCK
The fire didn’t get anywhere near your place, did it?
WALLACE
Oh, hell yeah it did. Woke up to my whole G. D. house full of smoke.
TOLEN
Is your home all right?
WALLACE
Think so, I got that fire road there and luckily everything is on the other side of that, but if this is a coal mine fire, that road ain’t gonna mean shit.
TOLEN
Right, the fire road...
TOLEN (CONT’D)
Oh no.
CHUCK
The FMC!
TOLEN
AND the two bags you left, uugh! You didn’t by any chance notice-
WALLACE
- If your FMC was okay? No, Tolen, no, I did not. Because my house was full of smoke and I had to evacuate.
00:13:07
TOLEN
Sorry, I didn’t... I’m sorry.
CHUCK
Yeah, man, sorry.
WALLACE
Naw’ y’all, it’s okay. Speaking of the FMC... you guys talked to your friend Jane today? The area hit most was between her place and the fire road.
TOLEN
We thought the fire was mostly on the grounds of the Mendenhall?
WALLACE
Her house is on the grounds of the Mendenhall.
TOLEN
What?
WALLACE
She owns the grounds of the Mendenhall... Well, her uncle did anyway.
TOLEN
What?!
WALLACE
The area of the fire is like a triangle with the Mendenhall, Jane’s house and the fire road making the points.
TOLEN
She didn’t tell us that!
WALLACE
Didn’t tell you what?
TOLEN
About the Mendenhall? Why wouldn’t she have told us that?
CHUCK
Maybe she didn’t know?
TOLEN
We talked to her for hours!
CHUCK
What the hell does it matter?
TOLEN
What the hell does it matter?!
CHUCK
Jeeze, man you need to chill out.
TOLEN
CHILL OUT?!
WALLACE
TOLEN. Did you guys hear from Jane today?
SFX: Suddenly, a loud burst of police sirens ring out approaching the base camp.
TOLEN
Oh shit.
SFX: Wallace, Tolen and Chuck, all bolt from the car.
SFX: The loud ticking of a massive grandfather clock as well as a few pops coming from a fire in the fireplace echo in the room.
00:14:11
RJ
So, do they think it was arson?
SFX: Doc enters.
DOC GRUB
Knock, knock, again.
DEBBIE
Yes, Doc?
DOC GRUB
That was Jan... uh, Jan, from the police station.
DEBBIE
What’d he want, Doc?
DOC GRUB
It’s a message for the girls here. Girls, your little friends are with Wallace.
AVERY
What?
DOC GRUB
But don’t worry now, the police have’uhm. Okey. Buh-bye-bye, now.
RJ
What?
DEBBIE
Doc. I think you’re gonna need to elaborate.
DOC GRUB
Troopers radioed into the station that they’re all over at the Stanley house, in the woods there, and your friends asked that a message be passed on to yins’, so yins’ wouldn’t worry.
RJ
Why are they at the Stanley house?
DOC GRUB
Didn’t say.
RJ
When will they be back?
DOC GRUB
Didn’t say.
RJ
How do we get a hold of them?
DOC GRUB
Didn’t say.
RJ
But-
AVERY
Thank you, Doc. Thank you.
DOC GRUB
Buh-bye-bye, now.
SFX: Doc Grub slinks away.
00:15:07
AVERY
Sorry, that didn’t seem to be going anywhere.
RJ
But-
AVERY
I have Wallace’s card from yesterday, so we can get to them through him. Or, evidently just call the police station if we need to, right?
DEBBIE
Don’t see why not.
RJ
Okay.
AVERY
I’m sure they’re fine.
LORETTA
(from the fireplace room)
Not in those woods, they ain’t.
SFX: Debbie, RJ and Avery jump and gasp.
DEBBIE
Damn mom, how long have you been hiding over there?!
LORETTA
(from the fireplace room)
Not hiding if you’re there first.
DEBBIE
You almost gave these ladies a heart attack.
LORETTA
(from the fireplace room)
Well, I certainly did not want to do that! Come over here girls, let me get a look at ya.
SFX: Debbie, RJ and Avery cross over to Loretta in the fireplace room.
LORETTA (CONT’D)
Come on now, I won’t bite. Sit, sit, sit.
DEBBIE
Mom, this is RJ and this is Avery. They’re staying in the Henrietta Suite.
LORETTA
Oh, that’s my favorite one.
DEBBIE
They’re all her favorite one.
LORETTA
I’m blind, dear, not deaf. Nice to meet you Avery and RJ.
AVERY
Hello.
RJ
Hiyah.
DEBBIE
They’re from [BEEP] University.
LORETTA
Oh, my.
DEBBIE
They’re in town doing a documentary on Russell Stanley.
LORETTA
Why on earth would they wanna do that?
AVERY
Uh, he, he became a famous writer, ma’am.
LORETTA
Again, with the “ma’am”? Who am I the Queen of England? Call me Miss Loretta.
AVERY
Heh, okay. Miss Loretta it is.
LORETTA
Now, why those kids out in the Mendenhall woods?
RJ
Oh, Miss Loretta, they’re not in the Mendenhall woods they’re at Jane Stanley’s.
LORETTA
Jane?
DEBBIE
Russell’s niece, inherited the Stanley place.
LORETTA
Oh, that’s all Mendenhall Woods, girls.
RJ
What?
DEBBIE
That house is technically on the Mendenhall property. Or, the Mendenhall is on Jane’s property.
00:16:45
AVERY
Holy shit! - Sorry, Miss Loretta.
RJ
We did not know that.
AVERY
We interviewed Jane yesterday and it never came up.
LORETTA
I think you missing the point here, those kids need to get out of that wood.
RJ
Any particular reason?
AVERY
Are there like a lot of abandoned mines out there, Miss Loretta?
DEBBIE
It’s near where the fire was today, mom.
LORETTA
I don’t know nothing about any abandoned mines, I just know those woods is a bad place.
DEBBIE
Mom, they don’t wanna hear your ghost stories.
RJ
Oh, I think we do!
AVERY
Oh, I know we do.
DEBBIE
Here we go.
RJ
Jane only kinda painted some broad strokes while we were out there yesterday.
LORETTA
You girls went out there?! Deb, go get my sage stick.
DEBBIE
Mom!
RJ
(aside)
Uhm. How do we address cultural appropriations with an octogenarian?
LORETTA
I’m not kidding, I need to smudge these girls.
AVERY
(aside)
Think she’s a nonagenarian.
DEBBIE
You ladies hungry?
RJ
I could eat.
LORETTA
Debora Lynn!
DEBBIE
Got some left over stew?
AVERY
Uh, sounds good.
LORETTA
Debora Lynn Moyer don’t you dare ignore me.
DEBBIE
I’ll heat it up... Don’t let her scare ya, now.
RJ
We’ll be all right.
LORETTA
They will be fine, once you get my damn smudge stick.
RJ
(under breath to Avery)
Again, I ask-
AVERY
(under breath to RJ)
- Man, I don’t know.
DEBBIE
I will be right back. Old woman, you better watch yourself.
LORETTA
Get!
SFX: Debbie exits.
00:17:51
LORETTA (CONT’D)
Now... what do you ladies know about the Mendenhall?
SFX: Avery hits play on a VM message from Tolen.
AUTOMATED VOICE
(over phone line)
You have one new message. First voice message:
TOLEN
(over phone line)
Hey, it’s me. ... Uh, not sure if you got our message via the “police phone tree,” but no need to worry about us, we’re all okay. Chuck and I are at Wallace’s now, so you can reach us here. So, what happened was... after we dropped off the supplies, we ran into Wallace and he asked if we had heard from Jane, we got a little freaked since the fire was so close to her house, so we told the cops, and then we all went over to her place. She wasn’t there, but her car was parked out front, so we started looking around for her... and nothing. So, the troopers are planning a more formal search for the morning. Uh. Wallace made us food... and oh my Jeebus, I think it was even better than the food at the Homestead... PLEASE don’t tell Deb that. Oh and, shit, all the gear, all the gear we had died on us... I know that’s probably the last thing I should be thinking about, but the extra batteries and chargers are in the room there, so yeah. Uh, hold on to these voice mails, maybe they can work as inserts? Hope you guys got something. ... OH! And side note: Stanley owned the Mendenhall! What-what-what?
SFX: Beep.
SFX: The loud ticking of a massive grandfather clock welcomes us back to the Homestead. The fire pops occasionally in the fireplace.
00:19:17
RJ
The Mendenhall was a psychiatric hospital, right?
LORETTA
Might’a claimed to be, but oh sweet dear Lord, what a horrible place. Opened in 1901... started by a “religious sect” named “The Order of the Light,” or “The Light of His Word”? Anyway, I always just knew uhm as “The Light.” They founded the Institute on the notion that the best treatment for the mentally ill was solitude and physical labor ... which is why they had so much land. It provided complete isolation, as well as the acreage for a proper farm. Grew all their own food, tended their own animals, even had their own post office and hair salon.
AVERY
So, it was a completely closed circuit.
LORETTA
No need to go nowhere for nothing. ... After a few years it gets a reputation with rich folks for it’s beauty and grandeur. It’s serenity. It’s privacy. It’s discretion.
RJ
Oh, jeeze.
00:20:22
LORETTA
Soon enough, every high society family’s “secret little shame” began flooding in, more than they could handle. But, the money was just too good to pass up. So, they started buying up more and more of the surrounding land... and new patients just kept on comin’... But none of them ever seemed to be leaving.
AVERY
Oh, no.
LORETTA
This went on for years. And no one had any idea what was really going on there. Even the locals on staff were in the dark. Only the live-in members of The Light were permitted access to the whole facility.
AVERY
That can’t be good.
RJ
Never good.
LORETTA
It wasn’t until a bunch of patients started escaping in the 60s and 70s that anyone ever thought something was amiss. And then, after 80 years in business... just like that [snaps her fingers] it was all over.
RJ
It just closed?
LORETTA
Townsfolk showed up for work one morning and found the grounds completely empty. They searched the offices and patients’ rooms - couldn’t find a soul. In a panic, they broke in to the “unauthorized” areas. And OH, what they found there.
00:21:35
RJ
What did they find there?!
LORETTA
Initially, it didn’t seem too suspicious... just a bunch of underground tunnels that connected all the buildings and different parts of the farm...
AVERY
Secret underground tunnels?!
RJ
I die. I’m dead. This is amazing.
LORETTA
However, one tunnel seemed to lead miles off site... So they followed it... all the way to it’s end.
AVERY
Oh, I don’t like it.
LORETTA
After a ways in... they started noticing all this soot hanging in the air.
AVERY
Don’t like it.
LORETTA
This tunnel dead ended into a large stone room, carved right into the base of Great Cliff’s Peak.
RJ
Why does that sound so familiar?
LORETTA
At first, they thought it was just a furnace... but they soon discovered that the stone room ... was a massive ... crematorium.